The Parthenon Sculptures at Center of Row Between Britain, Greece 

An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
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The Parthenon Sculptures at Center of Row Between Britain, Greece 

An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)
An employee views examples of the Parthenon sculptures, sometimes referred to in the UK as the Elgin Marbles, on display at the British Museum in London, Britain, January 25, 2023. (Reuters)

Britain's Prime Minister Rishi Sunak has cancelled a planned meeting with his Greek counterpart Kyriakos Mitsotakis due to a diplomatic row over the status of the 2,500-year-old Parthenon sculptures housed at the British Museum.

Greece has repeatedly asked for their permanent return to Athens, while Britain and the museum have refused to do so.

WHY THEY ARE IN BRITAIN?

The sculptures, known as the Elgin Marbles in Britain, include part of a frieze, relief panels and other figures that were removed from the Parthenon in the early 19th century by Thomas Bruce, the 7th Earl of Elgin and then-British ambassador to the Ottoman empire.

They were transported to Britain and bought by the British Museum in 1816 and are exhibited as a prized part of its collection in London.

WHAT ARE THEY?

The sculptures at the British Museum make up about half of a 160-metre frieze which adorned the Parthenon temple on the rocky Acropolis hill in Athens. The collection includes 15 sculpted relief panels and figures of gods and heroes from the temple's pediments.

They are original parts of the temple dedicated to the goddess Athena, completed in 432 BC as the crowning glory of Athens' Golden Age.

The largest temple on the Acropolis, the Parthenon has operated as an archaeological site since 1833, surviving wars and natural disasters to become the symbol of modern Greece.

ATHENS' CAMPAIGN FOR THEIR RETURN

While Athens has called for the permanent return of the treasures since its independence from the Ottoman Empire in 1832 and accused Elgin of theft, the campaign garnered more attention in the 1980s.

Greek Oscar-nominated actress Melina Mercouri, a vocal supporter of the arts, launched an official campaign for their return when she was culture minister in 1981-1989.

Athens has further stepped up its efforts since it opened a museum in 2009 at the foot of the Acropolis, which holds the sculptures that remain in Greece. With a view of the Parthenon, the layout of the top floor of the museum mimics the temple.

In September 2019, Mitsotakis suggested Athens would be willing to loan antiquities to the British Museum in return for being able to temporarily exhibit them. Greece said the proposal did not alter its long-standing demand for their permanent return.

In December 2022, Greece said it was in talks with Britain over the repatriation of the sculptures to Athens, but a deal was not imminent.

BRITISH MUSEUM'S STANCE

The British Museum, custodian of the sculptures, has refused to return them, saying they were acquired by Elgin under a legal contract with the Ottoman Empire that then ruled Greece.

The trustees of the museum say the public would benefit more from having the sculptures divided between two museums, that bringing them back together into a unified whole is impossible as some parts were lost or destroyed, and that the sculptures could not be safely returned.

The trustees have said they would consider a loan to Greece if Greece acknowledges the British Museum's ownership of the sculptures, which Greek governments have refused in the past. The British Museum in January 2023 called for a new Parthenon Partnership with Greece and said discussions were ongoing.

OTHER RETURNS

In January 2022, a museum in Italy loaned Athens the so-called "Fagan" fragment, depicting the foot of the ancient Greek goddess Artemis. It later said the fragment - part of the temple's eastern frieze - could stay in Greece.

In December, Pope Francis returned to Greece three pieces of the Parthenon that had been in the papal collections of the Vatican Museums for more than a century.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.